![]() ![]() Using the Pocket 6k G2 with a shoulder rig. Ideally, we’d want to weigh the rig down with a heavier camera or add weights to the rig, but of course, that defeats the concept of the pocket cinema line. However, the issue with the shoulder rig shot is that the shakiness of the shot is due to the weight of the camera. ![]() The gimbal has little to no shake, the shoulder rig has a sense of purposeful motion, and the handheld looks incredibly amateurish. The three shots have vastly different feelings, they promote different production values, but of course, the stabilization across all three shots is varied. The question is, just how well does it perform? Due to the nature of this exploration, it’s advisable to watch the video tutorial embedded above for visual examples.įirst, let’s compare the Blackmagic Pocket 6k G2 with three different forms of movement. ![]() Therefore, instead of Resolve trying to analyze and interpret the movement, it’s receiving precise information. Now, when you bring the clip into DaVinci Resolve, the embedded motion data can be utilized to improve the stability and smoothness of the footage. Instead, this gyroscope captures the camera’s movements during filming and saves this data within the video file. It’s important to note that this isn’t a mechanical gyroscope that can offset movement. Last year, with the 7.9 Update, Blackmagic activated a dormant motion-sensing gyro within their pocket line. This is where Blackmagic’s gyro stabilization will help create a more efficient form of stabilization. It’s simply analyzing the image data and adjusting where it thinks it should go it interprets the movement, and as we know, interpretation is not an accurate description. While this is often the result of the software trying to decode very shaky footage, it’s also due to the fact the software doesn’t inherently know how the camera is moving. Of course, I’m sure everyone knows the negative results of using a stabilization tool when you get these jello-like shots. It then adjusts the footage’s position and rotation to keep these tracked points steady, stabilizing the rest of the footage. When you apply the stabilization effect to a clip in your timeline, the software detects any camera movements or vibrations by typically looking at particular points within the footage, such as edges or corners, and tracks the movement of these points over time. Of course, in-body stabilization is never perfect as using a Steadicam that’s why it’s great to have stabilization features in applications like DaVinci Resolve and Premiere Pro that can further help smooth the jitters that are still going to be apparent with IBIS. Other cameras use an electronic system that adjusts the camera’s image to compensate for the motion, but IBIS does what it says on the tin. Some cameras use a mechanical system, which physically moves the sensor to counteract any movements. Then the camera’s internal mechanism counteracts those movements by shifting the position of the camera’s sensor in the opposite direction of the motion. The camera’s sensors detect any unwanted movement or vibration. How in-body stabilisation works can vary slightly from camera to camera, but the basic principle is the same. This feature works by using sensors within the camera body to detect any movements or vibrations, and then the camera’s internal mechanism counteracts these movements to produce a stabilized image. In-body stabilization, also known as IBIS, is a feature in some modern cameras that helps stabilize the camera and reduce unwanted camera shakes. Now, with consumer-level cameras receiving in-body camera stabilization, you may even be able to pull off a handheld static shot looking very shake-free with no additional tools. The operator can move the gimbal in any direction, and the camera will stay stable and level, which makes it a popular tool for capturing smooth shots while walking or running. It’s a much more compact and portable solution that can be used with smaller cameras and even smartphones. On the other hand, a gimbal is an electronic device that uses motors and sensors to stabilize the camera. It’s typically used for larger cameras and heavier setups, requiring a skilled operator to use it effectively. While gimbals and Steadicams are used to stabilize cameras and achieve smooth and steady shots, they work differently.Ī Steadicam is a stabilizing camera system that uses a mechanical arm and balancing system to isolate the camera from the operator’s movements, making it possible to capture smooth, steady shots while the operator moves. ![]() Yet, if we think about a YouTube filmmaker creating a stabilized shot, we likely picture them holding a gimbal. When we think about camera operators on a professional film set stabilizing footage, we most likely conjure the image of a Steadicam operator. ![]()
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